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This tray brings together hand-painted ceramic and olive wood, shaped through different hands and processes, coming together into a piece that feels both practical and considered.

The tiles are hand-painted in Al-Khalil (Hebron), where ceramic work continues as a small, skilled practice, with patterns applied carefully by hand. Each tile carries slight variations in line and finish, reflecting the human rhythm behind the making.

They are set into an olive wood frame, sourced from the West Bank, with a chipboard backing to give structure and support. The contrast between the painted surface and the warmth of the wood gives the piece a natural balance, something that feels easy to place within the home.

It sits easily on a table, whether used for serving, holding everyday objects, or simply left out as part of the space. Smaller in size, it works well for more intimate settings or for layering alongside other pieces.

Subtle crazing within the glaze is part of the character of the tiles, a result of traditional processes that do not affect the durability or use of the tray.

Details

Size: 32 x 17.5cm wide x depth 2cm. Handle width 2cm. Weight: 1 kg

Material: Olive wood, ceramic tile, chipboard backing

Origin: Tiles hand-painted in Al-Khalil (Hebron), with olive wood sourced from the West Bank.

Care
To clean, wipe with a dry cloth and wipe spillages immediately. Avoid contact with water and do not store in a moist environment.
Giving back

Each piece supports small-scale makers in the West Bank, helping to sustain traditional ceramic work and local craftsmanship.

A portion of proceeds is shared with marginalised communities through our ongoing partnership with human rights organisation Restless Beings.

For every order placed, we also plant a tree, contributing to long-term environmental restoration.

Discover

Palestinian Tile Art

Palestinian tile work draws from a long history shaped by movement, trade, and influence, from early Islamic design to Ottoman and Armenian traditions that helped define its visual language.

Across the region, these patterns evolved through time, carrying geometric forms, floral motifs, and colour palettes that reflect both place and exchange.

What began as architectural work, seen across mosques, homes, and courtyards, now lives on in smaller pieces, bringing that same sense of history and continuity into everyday spaces.

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